Two floors down, Gracie Rustin, a young dental assistant was in the middle of a procedure with a patient when she heard several sets of "loud noises" but didn’t immediately realize it was a shooting.".‘War zone’According to Phil Davis, one of the reporters who was inside at the time and tweeted an account of the assault, the gunman shot through the door and opened fire on staff inside -- as others including himself hid under their desks."Chase was not inside the paper’s offices when the gunman -- identified as a white man in his late 30s -- burst in and opened fire.Read: Upset with newspaper, US gunman kills 5 in newsroom shooting"We’re putting out a paper tomorrow," vowed Chase Cook, one of six reporters at the daily, where the latest mass shooting to rock the United States left five people dead.His photographer colleague Joshua McKerrow had his laptop perched on the back of a pick-up truck.Chase was working from his smartphone -- from which he could access the newspaper’s editorial system.
From a nearby shopping centre, where she was escorted to safety along with other office workers, she recounted how the police rushed in and evacuated everyone: "They were like, ‘Leave, leave, leave!’""As soon as the elevator doors opened, the cops with guns were like, ‘Hands up! Hands up!’ and I just started crying immediately."Davis said he was still hiding under his desk when the shooting stopped -- and police swarmed the building taking the suspect into custody.Many of the office workers inside the four-story building were alerted to the shooting by the police sirens wailing outside.A lockdown was ordered immediately.Police were looking into social media threats received by the paper, which employs a small team of 13 journalists and photographers out of a ground floor office at 888 Bestgate Road -- behind a glass door that usually stays shut.Describing the attack to the Baltimore Sun, which owns the Capital Gazette, Davis said it "was like a war zone" inside, a situation that would be "hard to describe for a while.
Their deadline had been pushed back to 9:30 pm."I don’t know what else to do except this," he said."All I know is five people are dead," he said."We’re going to have a paper," said the young man, who has worked since 2013 for The Capital, a local daily whose roots go back to 1727 -- and which police believe was deliberately targeted in Thursday’s attack."When he heard a sound at Freight elevator Factory the door, he asked himself -- "friend or foe?"It turned out to be a SWAT team, armed with assault rifles. "We’re just doing our job.Sean Robinson, who works for an insurance company on the building’s top floor, took shelter away as far as possible from the entrance and texted his wife to say, "Hey, this is going on.Annapolis, Maryland (US): In the shade of a car park in Maryland’s capital Annapolis, three journalists from the Capital Gazette typed grimly away -- still without news of colleagues killed or injured when a gunman stormed the publication earlier Thursday. Just pray.It took officers -- trained to respond to the mass shootings that have become a regular occurrence in the country -- just 60 seconds to arrive on site, according to an official.
Staying away from stereotypesSpeaking about the challenges that Indians face, in getting a break in the West, Mukund says, "Hollywood, being an industry that sets standards, and the one that is looked up on, by the rest of the world as the pioneers of cinema, is extremely competitive and demanding. From the scale in which we produce films to production value, we are doing exceptional work. But it (inclusivity) is a slow and painful process like any ‘growing pain’ is — it’s not just about catering to the mid-west US audience, but to a digital, virtual and international box office audience.".Sharing with us about how he has been able to get opportunities so far, he says, "I started out doing music for student films, which were basically college projects.Indian market lures HollywoodTabrez, who’s been the line producer of China Elevator accessories Manufacturers massive international projects such as Slumdog Millionaire and Life of Pi, in an earlier interview with us, spoke about how this probably is the best phase for Indians and Indian cinema to make an impact internationally.Elevator, Cash Back and more.
Even Raj Thiruselvan mentioned to us that through his film Lake of Fire, he would like to "Show that Indian talent is equal to that of Hollywood and make Indian market visible to the world.Why the industry is becoming inclusive nowActor Roger Narayan, who has been a part of several renowned projects including, How I Met Your Mother, Weeds, NCIS: Los Angeles, Leftovers, Clay, Happy Feet 2 and more, speaks about Hollywood’s growing diversity. With companies like Disney, sourcing internationally, there are more opportunities for Indians these days than there were back then," he feels."But like Roger, even Mukund is wary of certain stereotypes."Why certain actors struggleAddressing the struggles of actors from India, who are now plying their trade in the West, Roger adds, "I have met some actors from India, who are struggling in Hollywood."‘Presence of more Indian writers would make roles more authentic’Roger, meanwhile, has another important point to put forth — "It is not about a parochial view of who an ‘Indian’ person is, but being fair and balanced in the larger international context.Not only in terms of acting, even technicians from India, who have moved to Los Angeles to pursue their Hollywood dream, are flourishing."
Talent, the foremost requisiteOn the other hand, Kunal Rajan who moved to Los Angeles to pursue his career in Hollywood has been a part of several prestigious projects as sound designer. As long as people are good at what they do and have the right attitude, breaking into the industry here is not an impossible task."Right now, India is on everyone’s mind. I guess we are in a great space now — and Hollywood is now very aware of how good Indian market is, for films," he stated. These films were screened at various locations and through the filmmakers and the crew that were part of these projects, people started to contact me to score for their films," the youngster says. After getting a lucky break with one film that went on to be known internationally, the actors were not able to get any more roles — because they were cast only for that particular character — which doesn’t get written or cast often!"Networking is the keyMukund Ambarish Manivannan, who was born and brought up in Chennai, has now been composing several indie Hollywood films like Interconnect, Dr. I think the studios are now trying to find talent internationally," Roger opines. I would say the most important thing is to not to imitate the West, but try and bring a sense of yourself and try blending seamlessly together with the mainstream scene.
Addressing to our query if Hollywood filmmakers approach Indian artistes with preconceived notions and come up with stereotyped roles, he says, "If the writer has a balanced world view and has traveled or read well, he/she won’t create caricatures or stereotypes that are reductive or simplistic, in representing a race or ethnicity. Being an Indian, and wanting to get a break in Hollywood, I would say exposing yourself to global cinema and music (in my field) is one of the essential aspects.Talking about his experience working in the West so far, he says, "The industry (Hollywood) has always supported diversity in the work place, which made it easy for somebody like me to break into the industry here," he says. Speaking about the challenges he faced, Kunal, who has been a part of projects like Blades of Glory, Walk Hard:The Dewey Cox Story, and The Spiderwick Chronicles and more, says, "There was the initial struggle, but that’s the case globally for anybody trying to break in to any film industry. In fact, films like Lake of Fire (directed by Raj Thiruselvan from Tamil Nadu) are planning to send its songs for the Grammy Awards and Mumbai-born producer Tabrez Noorani has acquired rights for many high-profile Hollywood projects. We speak to Indian actors, technicians and producers in the West, as they give us insight on Hollywood’s quest to become more diverse — and if it really helps India.When there were reports that an audition call was made for the lead characters Aladdin and Jasmine for Disney’s live-action film Aladdin, it sent aspiring Indian actors into a tizzy, as it specified that the applicants for the roles should be of Middle-Eastern or Indian heritage.
Hollywood has, and is always, looking for people of colour."The heartening fact is that casting directors, producers and directors (in Hollywood), are making an effort to understand another culture and are committed to diverse and authentic casting. Before I knew it, a few of the films were accepted at International Film Festivals in New York and Los Angeles getting me nominations for Best Music. "Being a film composer, the major challenge I face is to not get stereotyped by only getting scripts that have an Indian/Asian connection to it," he states. But when more international writers and Indian writers write content with Indian characters, casting will become more authentic. From my 10 years of experience here in LA, I have noticed that Hollywood is all about using the right talent.Regardless of whether the final cast for the Guy Ritchie’s adaptation of the Aladdin folk tale would be from India or not — it’s been clear, for a while, that Hollywood is now seriously looking at roping in deserving Indian talents — instead of just casting them in stereotypical roles.
"The carpet has been put there in this manner since a long time," Mr Patil further added. The CR is yet to come up with a concrete plan for CST after it was declared as a World Heritage Site more than a decade ago.Although the image was tweeted and retweeted, especially by railway fans, the chief public relations officer (CPRO), Narendra Patil, said that the carpet was only re-fixed on the cantilevered staircase, which is made of stone and that no new holes were drilled into the heritage structure.Mr Patil said that old plates were removed and the carpet was re-fixed again.However, one of the tweets aimed at the CR said,"What is the logic of red carpet cantilevered staircase .
The general manager always takes the elevator. "Whenever the red carpet is very loose we basically re-fix the carpet since people can trip over it," said Mr Patil."The CR has also been under the microscope since the UNESCO declared the Bandra station as a World Heritage monument six months ago"So it is not right to say Hydraulic elevator Factory that we drilled new holes into anything," the CPRO added.Days after Central Railway (CR) was criticised for putting up the French flag out of sequence which resulted in it resembling the Dutch flag and went viral on social media, another image is being circulated where men are seen drilling holes for a red carpet into the cantilevered staircase inside the Chhatrapati Shivaji Terminus (CST), a UNESCO World Heritage site.
For these two stadiums – each holding 45,000 spectators – the comprehensive formwork and scaffolding concept was usefully supplemented by the PERI TRIO and DOMINO wall formwork systems as panel formwork as well as VARIO GT 24 as girder wall formwork. MULTIFLEX girder slab formwork combined with UZR beam walers were used to build both slabs and beams.de www.Apart from the low weight and the high load-bearing capacity, the PERI MULTIPROP has a large extension length, a big advantage for the range of different storey heights.950-1180Fax: +49 (0) 7309.PERI GmbHEditorial OfficeP.O.
The 34 cm thick reinforced concrete slab of the seven-storey high grandstand in the Greenpoint Stadium was formed using PERI panel slab formwork SKYDECK with MULTIPROP slab props.deRe-prints are free of charge quoting "Source: PERI GmbH".Moses Mabhida StadiumThe PERI TRIO panel formwork and the VARIO GT 24 girder wall formwork also played a crucial role for the construction of the Moses Mabhida Stadium in Durban.Mbombela Stadium and Vodacom Park StadiumFor the construction of the Mbombela Stadium in Nelspruit and the Vodacom Park Stadium in Bloemfontein, the PERI MULTIPROP system provided high load-bearing capacities and a high degree of flexibility – finding use as individual slab props and frame-connected shoring towers.
This meant that the cantilevered formwork for the slab edges could be supported for the height of several floors with the loads being safely transferred to the ground. 2009 revenues was 873 million Euros.Contractors:- Murray, Roberts, WBHO Joint Venture (Greenpoint Stadium, Cape Town)- WBHO, Group Five, Pandev Joint Venture (Moses Mabhida Stadium, Durban)- Basil Read, Bouygues Joint Venture (Mbombela Stadium, Nelspruit)- Ruwacon, Sanyati, Ikaheng, Promania Joint Venture (Vodacom Park Stadium,, Bloemfontein)PERI Systems In Use- DOMINO Panel Wall Formwork- MULTIFLEX Girder Slab Formwork- MULTIPROP Slab prop- MULTIPROP System- SKYDECK Aluminium Panel Slab Formwork- TRIO- VARIO GT 24 Girder Wall FormworkPERI was founded in 1969 and is today the leading provider of formwork and scaffolding systems. Through the low individual weights of the aluminium components and the systematic assembly sequence, work could be carried out both quickly and fatigue-free. Connected with MULTIPROP frames, the slab props were also used as shoring towers. June 2010 | Soccer stadiums for the 2010 World Cup, South AfricaBeginning on 11 June, nine South African cities will be the venues for the 2010 FIFA World Cup – on 11 July after 64 matches, the new world champion will be crowned.peri. Please send a copy to the PERI Editorial Office.000 and is the venue for eight matches during the World Cup.01. Along with the headquarters in Weißenhorn, Germany, the company has 48 international subsidiaries and 100 stock yards around the world.This release was published on openPR. Complete project support and rental logistics was handled by Wiehahn, authorized PERI dealer in South Africa. In addition, the SKYDECK drophead system ensured short striking times as panels and main beams were available for the next cycle in a very short space of time. However, German-South African participation has already taken place in the preceding months: this is because four stadiums in Durban, Cape Town, Nelspruit and Bloemfontein – with seating capacities for between 45,000 and 70,000 spectators – were constructed or enlarged with the help of PERI formwork and scaffolding systems. Supplementing this were the PERI TRIO and VARIO GT 24 wall formwork systems for the stairwells and lift shafts.
The VARIO GT 24 wall and column formwork system also demonstrated its versatility for the construction of numerous reinforced concrete columns and elevator shafts as well as the inclined grandstand support beams which were realised extremely accurately and with a high concrete quality cast in-situ. With the highly versatile TRIO system, the ballast tanks underneath the stadium structure together with the architectonic fair-faced concrete walls of the five access tunnels to the pitch and the three enormous abutments for the arch support structure of the stadium Passenger elevator Manufacturers roof were formed.The Greenpoint Stadium in Cape Town has a seating capacity of almost 70. Using GT 24 formwork girders allowed large spans which meant intermediate supports could be avoided as far as possible The VARIO formwork elements were pre-assembled at the Wiehahn rental park and delivered punctually ready-to-use on the construction site in accordance with the building schedule.
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